By Alan Lomax, John A. Lomax
Tune and lyrics for over two hundred songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Ten Thousand Miles from Home, Shack Bully Holler, Black Betty, The Hammer Song, Bad guy Ballad, Jesse James, Down within the Valley, The endure within the Hill, Shortenin' Bread, The Ballad of Davy Crockett, and plenty of extra.
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• Play correct out of the field, with very little experience
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Additional info for American Ballads and Folk Songs (Dover Books on Music)
5 Discussion Comparing the results from the two models operating in the frequency domain to the AMS operating in the time domain, it seems reasonable to state that all can handle periodic signals where they detect f0 and/or spectral components of the actual sound input. In regard to inharmonic sounds, both the subharmonic matching model and the AMS based on the ACF approach can analyze signals which are not strictly periodic, and which have a partly harmonic, partly inharmonic spectrum like, for example, carillon bells such as found at Brugge.
Lang, Frankfurt/M. (2008) 44 A. Schneider and K. Frieler 52. : Sonological and psychoacoustic Characteristics of carillon bells. In: Leman, M. ) The quality of bells. Brugge Eurocarillon 2002 (=Proc. Of the 16th Meeting of the FWO Research Soc. on Foundations of Music research). IPEM, Univ. of Ghent, Ghent (2002) 53. : Akustische Grundlagen musikalischer Kl¨ ange. In: Mitteilungen der Math. Ges. in Hamburg Bd XXII, pp. 27–44 (2003) 54. : Representation of stimulus periodicity in the auditory cortex: recent ﬁndings and new perspectives.
The Central Auditory System, ch. 4, pp. 259–316. Oxford U. , Oxford (1997) 16. : Listening. An Introduction to the perception of auditory events. , Cambridge (1989) 17. : Signals, Sound, and Sensation. Springer, New York (1998) 18. : Measurement of pitch by subharmonic matching. Journal of the Acoust. Soc. of America 83, 257–264 (1988) 19. : Die Wahrnehmung von Tonh¨ ohe und Klangfarbe als Problem der H¨ ortheorie. A. Volk, K¨ oln (1972) 20. : The Judgment of musical intervals. In: Clynes, M.